Short stories

Original short stories about the end of the world.

An empty blue sea beneath a peach sunset, interrupted by broad displaced image fragments and coloured accents.

Point Nemo

When it entered the upper atmosphere the computer tracked its trajectory and started the ship’s engines to intercept it at its terminus.

An empty concrete tunnel recedes beneath overhead lights, interrupted by broad digital fragments and coloured accents.

Who Am I?

A weary man shuffles along a corridor, one of a line of weary shuffling men. The corridor is made of rough concrete and it is cold. Harsh light gives the men’s skin an unhealthy pallor.

Layers of red and orange mountain silhouettes beneath a yellow sky, broken by displaced strips and coloured accents.

Red Dawn

Huge great flashes and weird red things and a moon roughly the size of Alaska. They were driving north when the sky finally broke open and poured down its wrath upon humanity.

A bare ploughed field beneath pale mist and blue-grey clouds, fractured by broad strips with coloured accents.

The Shearing

Myles passes me my knitted hat. He already has his on. We didn’t used to need to wear a hat to bed, but since The Shearing, everyone’s got to keep their head warm. Nobody’s got long hair anymore.

An empty white corridor with repeating rectangular beams, interrupted by broad digital fragments and small coloured blocks.

Amity

Surrounding the man were narrow beige walls marked with expletives written in blood. There was little in the cell. A tin mirror bolted to the wall, a steel toilet, bench, mattress, a gray bedsheet, and a washcloth worn with use.

A snow-covered mountain peak glowing orange against a grey sky, interrupted by broad digital fragments and small coloured blocks.

One Percent

Languid movements. Grinding joints. Skull screen glitching. Vision blurring. This is it. Severe battery depletion. Clarence is powering down.

An empty highway winding through open country in low, warm sunset light, interrupted by broad digital fragments and small coloured blocks.

Hell Truckers

He turned another card. A dog-eared Jack of hearts with a shit-eating grin pencilled crudely onto the vellum. That was a problem, because he already had a Jack of hearts, and he liked the look of that one much better.

Golden sunlight and mist across The Ridgeway’s fields, with long tree shadows and grazing sheep, interrupted by broad digital fragments and small coloured blocks.

The Ridgeway

Four days out and running low on water, but he didn’t care. He stopped at the crest of the hill to catch his breath.

A dark wooden cabin beneath snow and heavy clouds, interrupted by broad digital fragments and small coloured blocks.

Traveller's Unrest

“Ale’s going off,” he shouted into space across the empty inn. Beric swilled the last mouthful. There was a sickly sweet taste to it, and it was flat, almost syrupy.

A large building partly concealed by trees and haze, interrupted by broad digital fragments and small coloured blocks.

Catch and Release

$18,000 per catch. Less if they’re incomplete. Nothing if the head comes off, for obvious reasons. $18,000. More money than most people earn in a year, and all being well, we can earn it in a single day.

Bare, fire-damaged trees against a grey sky, interrupted by broad digital fragments and small coloured blocks.

Like Wildfire

The riots were three blocks over and the power was cutting in and out, so she packed her camping gear and drove hard and fast out of the valley, leaving the smog and concrete behind.

Dark evergreen trees fading into thick mist, interrupted by broad digital fragments and small coloured blocks.

Twenty-Seven Minutes

In this line of work, you think about death every day. You have to. You sign the waivers and the non-disclosures, you take out the insurance policies and attend the procedural briefings. Every day is another opportunity to die.